薩地魯 - 電子野, 網頁, 遊戲, 音樂, 仲有其他作品!
歡迎嚟到薩地魯嘅網站. 曾經係業餘遊戲開發者, 今日薩地魯利用佢嘅業餘時間, 乜都整餐懵. 包括電子野, 遊戲, 音樂, 研究項目等等.
絕大部分嘅blogpost只有英文版. 當然, 都有D有廣東話版嘅.
核心文化: 穩定為先, 開發為本
Welcome to the website of a one-man amateur research and development center! Started off with game development, Sadale had developed various products, including electronic products, games, websites, desktop program, apps, music, etc. This website is a blog that mainly contains documentation of the progress of my projects as well as their release announcements. It also contains non-googleable solutions to problems that I've encountered. Scroll down to read the blogposts.
All of the products mentioned in this website are my own work, unless stated otherwise.
Core value: Development in Stability
What Sadale is about:
What Sadale is not about:
animeVPS - A low-end, donation-based VPS service that I'm hosting. [Website]
Online Middle-Square Method Generator - A web tool that I couldn't find elsewhere. [Link to the Tool]
歡迎嚟到薩地魯嘅網站. 曾經係業餘遊戲開發者, 今日薩地魯利用佢嘅業餘時間, 乜都整餐懵. 包括電子野, 遊戲, 音樂, 研究項目等等.
絕大部分嘅blogpost只有英文版. 當然, 都有D有廣東話版嘅.
核心文化: 穩定為先, 開發為本
kama pona! ni li lipu pi jan Sate. tenpo pini la jan Sate li pali e musi pi ilo sona. tenpo ni la jan Sate li pali e ali.
pali pi jan Sate li lon sewi pi lipu ni kepeken toki Inli.
lipu ni li jo e nimi mute pi pali pi jan Sate. ona mute li lon kepeken toki Inli. taso lipu ni li jo e ona lili pi toki pona. sina wile lukin e nimi mute lon toki pona la o pilin e nena ni!
jan Sate li pali tan musi tan mani ala.
Happy late April Fool! It's that time of the year again. International Asynchronous Rock Paper Scissors Tournament 2020
This year we've managed to invite quite a few new supporting organizations. Of which a few of them are the serious ones, like the ones that's registered in real life or software that have significant influence in the internet. We're very glad to have them supporting our event this year. These supporting organizations include:
It makes the logo count of the participation certificate of this year 15! That's more than we ever had in the past years!
So you wanna have this certificate? Tsk tsk! Too bad! This event had ended and you can't join anymore. You have to wait for next year. :P
This year we've got 158 participants. I ranked 150th with a score of -160. That's my worst performing year. :(
Oh. At least I've got this awesome participation certificate that you don't get to have! :P
It makes me feel weird to have a participation certificate that has my own logo on it. Anyway, I hope that I'd have better luck next year. I'm gonna get the gold then! :P
Maker Faire Shenzhen 2019 had ended. It was my first exhibition in my life. This blogpost is to document what I've done during the trip for the exhibition.
It took me weeks to prepare for the event. I had to sort out the application, paperwork, etc. In addition, I had to decide which projects to be exhibited, plan for the layout of the props in the exhibition, purchasing props for exhibition, order posters, order my cards, come up a list of the equipment to be brought to the site, plan for when to go and when to leave, etc. etc. etc. I had gotten extremely busy since the day that my application of exhibition had been confirmed. :(
The preparation was a loooot of work. I barely made it on time. The organizer had provided the dimensions of the exhibition table. And here's my test exhibition setup at home with a platform made of two tables that's about the same size as the exhibition table:
I had decided to dedicate a day after the event for sightseeing. However, since I'd be exhibiting alone, touring around alone would be boring.
Luckily there's a WeChat group for oversea exhibitors. I just shouted there like an idiot and ask if anyone's planning to tour around in Shenzhen a day after the event. It turned out that there's a Japanese team interested in accompanying me. Yay! :D
We ended up having a plan for the tour in both the registration day (i.e. the day before the first day of the exhibition) and the day after the end of exhibition.
I took highspeed train from West Kowloon Station in Hong Kong SAR to Shenzhen North Station. The border control process went smoothly. And I had never traveled using the highspeed rail station in Hong Kong.
When I saw the Vibrant Express train that I was about the board on, I was excited. Despite that it's pretty much identical as other CRH380A trains in functionality, the paintings are different. And it's operated by MTR Corporation (a company in HKSAR) instead of the companies in mainland China. It's like a special snowflake.
The interior of the train didn't disappoint me either. There're TVs showcasing Hong Kong and its tourist destinations. There was only a few people traveling using the train I was in. It took a while until the train got departed tho.
However, the real disappointment started when the train got departed. As soon as the train left the station, it ended up being in a tunnel. And it's staying inside the tunnel for the entire trip. Here's a photo showing the view inside the train with nothing other than darkness outside the windows:
Its traveling speed for the entire trip was less than 200 km/h. This isn't what I was expecting for "highspeed" train. Nevertheless, it only took 20 minutes to went from West Kowloon to Shenzhen North. That's an impressively short traveling time, except that it didn't take the train waiting time into account. Depending on your origin and destination, the highspeed train may, or may not be any faster than using other kind of transit.
After having lunch close to the station, I headed to the hotel by taking metro. As I can't speak Mandarin well, it took me a bit trouble to get thru the check-in process. After that, I walked to the exhibition venue and did the registration of exhibition. Here's the entrance of the event's site:
I was allowed to perform the setup of the exhibition booth and store the exhibition props into the warehouse. However, I decided not to do that because I'd rather to do the setup right before the exhibition starts. Since I had tested the setup at home, there's no reason that the same setup wouldn't work on the site.
As there's a bit time left for the day, I gathered with the previously contacted Japanese team and toured around in Shenzhen with them. We've visited the following places:
The music park that we visited is just a park with music playing inside the entire park area. The speakers were somehow synchronized. The decoration inside the park wasn't particularly interesting. However, the view outside the park was. Here's an array of buildings outside of the park that each buildings look identical:
As for Huaqiangbei, most stores were closed by the time we arrived there because we were a bit late. Fortunately the Japanese team had managed to get what they wanted. And I've got a power adapter, a retractable USB cable and an earphone. They're of good value. :)
I was a bit surprised that most storekeepers there in Huaqiangbei couldn't speak English well. A while ago I've been to a building in Huaqiangbei that most people there could speak decent English. This led me to thought that most storekeepers in Huaqiangbei could speak English well.
After that, we got drink in a cafe. And I parted with the Japanese team, went back to hotel, took a shower and slept.
I went to the Exhibition's site about an hour early so that I could do the setup. The setup went mostly smoothly. The only issue was that I wasn't able to get the power because there's only one power socket shared between me and the booth next to me. This was quickly sorted out by contacting the organizers, which provided me a socket outlet splitter. Here's my exhibition setup:
Some of the visitors spoke English, some spoke Mandarin and a few of them were able to speak Cantonese, which's my mother tongue. It wasn't easy for me to identify which languages the visitors spoke. And I often judged that wrong. For example, many Chinese-looking visitors of my booth are actually Japanese or Korean. And a few Chinese visitors actually spoke Cantonese instead of Mandarin.
As my Mandarin was bad, quite a few of those Mandarin speaking visitors had mistaken me as Japanese. When this happened, I just pointed at the flag of China with the flag of Hong Kong SAR on the poster and explained to them that I'm from Hong Kong, China.
I actually find that it's easier for me to explain my projects in English than in Mandarin. That's probably because English is the main language I use for anything technical. I did have a problem on trying to figure out the correct technical words in Chinese (Mandarin) when I tried to explain the stuffs that I was exhibiting. Oh, of course, it's the easiest for me to explain them in Cantonese mixed with some English technical words. :P
As for the exhibition itself, it seemed to me that the kids loved the poopie game that I was exhibiting. There was a few times that the kids gathering around on the tablet that's having my poopie game running on it:
It's rather exhausting to do the exhibition alone. There's no break. I had to handle all of the visitors alone. I had compressed cracker (military ration) for lunch so that I wouldn't need to leave my booth. I only asked the staffs to take over the booth for going to toilet and fetching drinking water. Other than that I pretty much stayed in the booth during the event. It was a super busy day. :(
I joined the Maker Party after the first day of the event. It's just a normal party. It had pizza, packaged waffles, lollipop, crackers, beer and water. I wish they had non-alcoholic soft drinks tho. Here's the photo of the entrance to the party:
Since I already had dinner, I took a lollipop and that's all I had during the party. The party was mostly about socializing with other makers. So I chatted with the people inside the party.
This session reminded me of the pitching session of my first global game jam. Fortunately, I'm doing far better on this one because I'm now a less jerky person than I used to be. This party was pretty fun. I got a chance to know more about other fellow makers and learned about what they had developed and what they're making for. :)
Here's something funny happened during the party. There was a Super Mario cosplay guy in the Maker Faire. He was exhibiting just two booths away from mine. I found him in the party and tried chatting with him, only to find out that he's Japanese and he could only speak bad English and bad Mandarin. We chatted with each others mostly using simple English. With the help of photo and body language, we were still able to communicate. And we managed showed our projects to each others.
Suddenly another Japanese joined in. Thank goodness. He spoke good English albeit heavy accent. I could understand him perfectly. So he acted as a translator between the Mario guy and me. This was cool until another Japanese joined in. Then they started discussing in Japanese and started speaking less English. After that, yet another Japanese joined in and the entire conversation had turned into Japanese-only. I was like, awww. :(
Then we exchanged our cards and I moved on to chat with someone else. At least I had got the twitter of that Mario guy. xD
After the party, I got back to hotel, took a shower and slept a bit late.
It's pretty much the same as the first day. Except that there're more visitors to my booth. And I hadn't slept enough in the previous night. It was almost too much for me to handle the visitors alone. :( Here's a photo showing an overwhelming amount of visitors:
During the lunch time, I opened up another pack of compressed cracker (military ration), just like the previous day. However, there were too many visitors. It was very tough to handle the visitors while eating the crackers. It took me like 1.5 hours to finish the two crackers inside the pack because I had to stop eating multiple times for explaining my projects to my visitors. At the end of the lunch, my voice turned very bad and my throat was extremely dry. Despite that I drank a lot of water, it didn't help much. :(
The event was going to end in an hour. I was extremely tired and I needed to sleep pretty badly. There was less visitors by that time. But still, it was pretty tough to me.
After the exhibition had ended, I dismantled the booth and headed to the place of taking group photos. Here's how my booth looked like after getting dismantled:
After the event, I went to hotel and took a nap immediately. After napping for a few hours, I got out and had dinner. I felt much better after having the dinner. Then I headed back to hotel, took a shower and slept. That's the end of the day.
I had reserved this entire day for touring around in Shenzhen. The trip of this day was planned by the Japanese team that I've contacted. I took my baggage, checked-out from the hotel and gathered with the team. Here're the places that we went to:
For the anime mall, we arrived there too early. Almost all stores weren't opened. We still looked around there anyway. I've purchased an el cheapo tiny Vocaloid figure for RMB20 from an opened store, and I'm extremely disappointed. The coloring of the hair of the figure's far off.
As for the food court, it's a pretty fun one. One of the stall sold grilled insect, which I didn't dare to try. We just randomly grabbed some food there and shared with each others. Most of the food there were spicy and mala (numbing-spicy). :)
After that, we headed to high tech park. Here's a photo of an artpiece showing the bird-eye view of high tech park inside a shopping mall that we visited:
In the Xiaomi store, one of the Japanese team members purchased a new phone right on the site. Other members had purchased something else, like speaker and stuffs. I envy them. All I had got in the store was a fidget toy that costed me RMB10. I'm a poor man. :(
We didn't do much in the Huawei store because it's more expensive than the Xiaomi one.
In the cafe, each of us just grabbed a drink and we tried out the new stuffs that we've just purchased. I assembled the fidget toy. A Japanese team member had tried out the Xiaomi speaker that she had just bought and played some random music. We had fun. :)
In the evening, we went to a bar, had drinks, chicken pieces and taco and we parted.
Right before getting back to the home, I decided to check the local news in Hong Kong about the traffic. It was pretty scary. Large scale protests were happening in 11th Nov 2019 in Hong Kong, blocking the traffic and stuffs. After discussing with my family, I decided to try returning to my home anyway. If I failed, I'd get back to Huanggang and book a hotel room to stay there.
I went to Huanggang Checkpoint using metro. Then I took a cross-border bus to get back to my home. After alighting from the bus, I took a detour to avoid the police station because it's where the chaos often happen. I passed thru a road with bricks all over on it. Apparently the bricks were used for blocking the traffic and was put there by the protestors. Nevertheless, it's not that dangerous because there's no fighting between groups of people having different political ideology. In the end I managed to get back to home safely.
Goodbye Shenzhen! I'll come back again some days later! :)
The entire Maker Faire experience was pretty awesome. It was quite fun overall, including the preparation work, exhibition and the post-exhibition sightseeing. I've also made a few new friends there. :)
However, it took me a loooot of work to join the exhibition. Weeks of work had been done solely for the preparation. And the exhibition itself was extremely exhausting. It's far more exhausting than joining Global Game Jam. I'm not sure if that's because the event itself's exhausting, or the event's held outside my home town, or the combination of both. Fortunately I've taken good care of myself and ensure that I've got enough sleep and food. Despite that I've caught cold, it's still nowhere as bad as the cold spell that I've caught in my first Global Game Jam.
After the event, my mana bar has almost gone empty. I pretty much need a break. Since it's exhausting, I'm not sure if I'll be doing another exhibition next year. I guess it'd be easier if I had partner(s) for exhibition. (Oh well! As if I'd be able to get one! I only socialize with online friends that aren't in Hong Kong) Anyway, in the near future, I'll probably be laid-back for a bit and focus on watching anime and playing video games. :)
Big news! Sadale'll be exhibiting in Maker Faire Shenzhen 2019 in booth E10. It'll be my first time starting a booth for doing exhibition in my life! :)
ilo nanpa will be the main project to be exhibited. That's because it's the most successful project of Sadale. It's also my only project that had entered "mass" production stage (well, it's actually home-based "mass" production with the quantity of produced units of 40ish). I'll be introducing toki pona numeral, toki pona language and ilo nanpa device to the visitors of my booth during the event.
In addition of that, I'll probably be also showcasing some of my smaller projects, including Arduino 1602 Snake (Gaming Device), Raspberry Pi Single Key Keyboard, the Poopie game and HTML gallery generator during the exhibition.
All visitors'll be welcomed to try out the projects that I'll be exhibiting. :)
I've planned for doing an exhibition more than a year ago. That's why I had checked out Maker Faire Hong Kong 2018 to see what exactly'd be going on in Maker Faire.
Well, that was pretty much I had expected. There's exhibition and seminars and workshops. Except that the exhibition were meh. Honestly, I was quite disappointed by the exhibition of Maker Faire in Hong Kong last year.
Almost all of the exhibitors were from education institutes. Some of them were schools, while some other of them were cram schools. Despite that there're a few impressive projects among them, almost all of them were lame, dumb, meh and unimpressive. Those projects just involved using very limited technical skill. As for cram schools, they're just joining the faire for marketing their classes for kids.
Another common type of exhibitors were those who make education materials. Developing education material isn't bad per se. However, no one's going to use them for anything professional. No one ever! And what those education material doing is to raise a bunch of half-ass engineers. Same goes for cram schools. And I was hoping that I'd be able to find more exhibitors that's actually technically competent for developing something serious.
I think I'd only found like 5 non-education makers out of like 100 booths. Well, I guess learning solely from classes is a culture of Hong Kong, which's an idea that I don't quite buy into because I've become what I'm now mainly by self-learning using online resources. And the problem with those classes is that it won't take the kids far enough to be able to do everything they want to do. And that's how some, if not all of those education institutes make money. They keep teasing the kids so that they'd apply for more and more classes. :(
Despite being lame, I still planned to join Maker Faire Hong Kong this year as an exhibitor. Mainly because it'd be the most convenient to me. To my surprise, it's apparent that there'd not be any Maker Faire in Hong Kong this year. I've contacted the organizer earlier this year without any response at all. And their website is still displaying the info of the 2018's event as of the time of writing.
Since there's no Maker Faire in Hong Kong, and I still intend to do exhibition this year, I've decided to exhibit in a Maker Faire that's close to Hong Kong. The Shenzhen one is the closest one. Therefore, I decided to join the one in Shenzhen.
As a bonus, exhibition is free for individual and non-commercial team exhibitors. It's so nice of the organizer to offer booths to us for free! I'd like to thank the organizer and sponsors of the event. :)
By joining this exhibition, I'll be doing these things for the first time in my life ever!
I'm so hyped up! Can't wait to join the event! See you in booth E10 of Maker Faire Shenzhen 2019! :D
This is the second blogpost of Ilo Nanpa. You can read the first blogpost here: Ilo Nanpa (Toki Pona Calculator) - Release Announcement and Technical Details
Hey guys! I'll be distributing new units of ilo nanpa! Previously, ilo nanpa was distributed in irregular batches. From now on, I'll be shipping a batch at approximately the end of each month (unless I run out of stock).
With time-efficient production method, the time-cost of unit production is reduced by quite a lot. Therefore, I'm lowering the average donation target per unit from $30 to $20 for all of the new units produced, including international shipping fee.
For each donation made, I'd add the amount to the donation pool. For each unit shipped, I'd deduct $20 from the pool. The fund available in the donation pool will be used for giveaways, or for subsidizing those who're donating less.
For a donation of $25 per unit or above, you'll be enlisted as one of the honored donors in the official website of ilo nanpa.
If you're interested, here's the procedure of getting a unit of ilo nanpa:
If you wish to add funds to the donation pool without getting a unit of ilo nanpa, just donate to me using the donate button in the homepage of my website and contact me. The donation will be 100% used for subsidizing the recipients who are donating less or not donating (i.e. giveaway). If you wish to be named, a donation of $5 would enlist you as one of the honored donors.
The official website of ilo nanpa has been updated to show the number of units in stock, units distributed and the amount of fund available in the donation pool.
Here's the breakdown of the spending of donation for each unit:
I'd like to take this opportunity to thank all of the previous donors. With the donated amount, I've purchased new equipment, which allows me to produce ilo nanpa more efficiently.
As I'm rather new in electronics world, my current technical ability of assembling electronic parts is rather rudimentary. I've been assembling electronic devices by soldering the components onto the PCB using soldering iron one-by-one, which is extremely time consuming.
Before this project, I only had to assemble one, or perhaps a couple of prototype units for my projects. So the time inefficiency wasn't an issue. However, this had changed since the completion of the ilo napna project. I have to manually solder a handful of units of the device in order to distribute them to Toki Pona speakers. And it took me two hours to produce a unit of the device, which was dog slow. And the demand just isn't high enough to justify outsourcing the assembly process.
As the previous production method was time consuming, I looked into more time-efficient production alternatives. After some Google-Fu, I've found that solder paste stencil-based soldering is probably the way to go for the following reasons:
I've purchased the following equipment and material for experimenting with this production method:
I've purchased a new batch of ilo nanpa boards. This time, the boards are panelized so that four units of the device can be produced for each PCB. After soldering them, I'd break up the PCB and I'll get four devices from a board. Here's the photo showing a jar of solder paste, panelized PCB and a stencil on a heat-resistant mat:
Not all components can be soldered by this technique. Only SMD components can be soldered in this way. Fortunately, most of the components of ilo nanpa are SMD components. The only components that require using soldering iron are the USB port, programming port and the battery holder.
I mostly just followed this solder stencil tutorial on Youtube. Except that I'm using hot air gun instead of reflow skillet for soldering the components onto the PCB.
Here's how I'm producing the devices using this new production method:
In step 2, since some spare PCBs are required for using the stencil, the 10 thought-to-be-useless wrong ilo musi boards that I ordered long time ago is now somehow useful. They're perfect to be used for holding the ilo nanpa PCB workpiece in place so that I can apply solder paste using the stencil easily.
At the end of step 3, here's a photo showing a work-in-progress panelized PCB. Take a close look and you'll see there's a layer of gray solder paste applied on each of its pads:
As for the hot air gun in step 5, it's empirically found that setting the air flow to 2/8 and the temperature to 3/8 works well for soldering the components.
This new production method works very well. Despite that the stencil is a bit expensive, it has cut down the production time by quite a lot. Before using this method, I produced ilo nanpa at a rate of a unit per two hours. After using this method, I managed to produce four units within 2.5 hours, with an additional 0.5 hours of setup and cleanup time.
This production method is very helpful for producing several units of electronic devices in timely manner. For a demand of 20-ish units, it seems to me that it's the go-to method for production. I'm very glad to have learned it. I'll continue be using this method for small scale production.
Hey guys! It's been quite a while since my last blogpost. I've got a bad news for you guys. Sadale had entered limited operation mode. Due to copyright concerns, Sadale will not perform further research and development work until this mess is cleared.
After I stopped freelancing, it took me a while to land on a day job. In fact, I've got two offers. The first offer is offering 30% more salary than my first day job. And the second one is 60% more than my first day job. After briefly working for the company who made the first offer to me, I decided to switch to the second one. Mostly as a tactical move to get me decent compensation in all of my future jobs. As it goes on, it's found that this company I'm working for is rather awesome, tho.
Anyway, here's the problem. For both of the offers, the contract is claiming the copyright ownership of stuffs that I work on outside my work hours.
- Wait what?
Yes. They're claiming it. I pointed that out immediately after receiving the contract for both companies. And, well, I was verbally told that the work that I do outside the work hour wouldn't have their copyright assigned to the company. I didn't further fight for that because I pretty much needed a job after I was done with freelancing. Anyway I think that verbal commitment isn't trustworthy because that isn't in black and white. And I'm sure that the guy who told me that I can retain the copyright ownership of the stuffs that I work on outside my work hours isn't the only guy who could sue me.
Since I've signed that bullshit contract, it means that the company I'm working for may have the right to claim any further R&D work I do, even outside my work hours, which is bullshit. I mean, I'm not using my work hours, nor the company's resource, nor the company's connection for my personal projects. I'm not even competing with the company I'm working for.
I've asked my supervisor to disclaim the products that I develop on project-basis by email. After going thru some troubles, this had went thru. However, I'm not entirely sure if the emails would be legally binding. I really have to consult a lawyer, just to be safe.
Here's the problem. I pretty much need the copyright for everything that I develop outside work hours because I share and publish my works, often under open source licenses for software and electronics, and creative common license for music and other creative works. Since I've signed the contract, I'm no longer able to develop anything outside work hours without risking getting the copyright of the stuffs claimed by the company I'm working for, unfortunately. :(
The wordings of the copyright clause in the contact of the day job that I had before I started freelancing was different. It was worded in a way that they'd only be claiming the copyright of the stuffs that I was ordered to do at work. That why copyright was never a concern until I've taken this day job.
To avoid getting the copyright of personal projects claimed by the company I'm working for, Sadale had entered limited operation mode. Until consulting a lawyer, I'll not work on any copyrightable stuffs outside my work hours.
The current company I'm working for is having a rather awesome work culture. I think that I'm probably able to learn far more from working for this company than the day job that I had before I started freelancing. In short run, I'll continue to work for this company. I'm stopping all of the development work of all of my personal projects. I can't even join events like Global Game Jam with this clause in effect as it'll generate copyrightable, god damn it!
Depending on the advise of lawyer consultation session, I may have to look for another job to get this sorted out in long run. I could also try fighting for the clause. However, considered that it was such an ordeal to get the copyright disclaiming email (which may not even be legally binding) to get thru, I wouldn't be optimistic on fighting for rewording of the clause.
However, works that don't generate copyrightable can go on. For example, I'm particularly interested in solder paste stencil-based soldering. It has been taking me like two freaking hours to produce a unit of ilo nanpa (the Toki Pona calculator). And the demand of the device is just far too low for outsourcing the assembly process because that'd be cost inefficient. With stencil-based soldering, it should save me quite a bit of time on producing the units. As production method isn't copyrightable, practicing the soldering technique will work even with this bullshit clause being in effect.
Perhaps I'll also take time on learning new stuffs, like learning music composition techniques, and perhaps also learning drawing. This will be done by mostly following tutorials available online. I'll expect all of the stuffs that I make for the purpose of learning will have copyright assigned to the company I'm working for. Anyway I won't care because those are just work done by following the tutorials and they won't be publish-worthy. On the bright side, after this copyright crap get sorted out, I'll be a much more capable individual. Then I'll be able to produce stuffs that has far better quality than I am able to now.
To avoid any potential dispute, I've decided not to work on the portable game console ilo musi any further until this situation is fixed. Not even for non-copyrightable works like units production and testing. Therefore, the original target completion date of ilo musi project by the end of 2019 will not happen. This project is now completely suspended. :(
For now, I'm going to focus all of my power on preparing for the upcoming Maker Faire. I'll be exhibiting ilo nanpa in Maker Faire Shenzhen 2019. This will be the first exhibition in my life! I'll probably be producing extra units of ilo nanpa so that they can be exhibited during the event. As the exhibition preparation is quite a bit of work, I'll look for free lawyer consultation session from the government some time after the end of the Maker Faire.